Playwrights - please send only one entry per sin (one for ENVY and/or one for AVARICE) to scripts@AtlantisPlaymakers.com. Entries which do not follow the guidelines below cannot be considered, please read them. Entries are due by April 15, 2008. Entries on these topics will not be accepted after April 15th. Mailed entries must be postmarked by April 15th. Thank you for allowing us to read your work.
Scroll down for 2008 guidelines
Playwrights - we're planning an event with you in mind!
In conjuntion with the 2008 SAS PlayFEST, we'd like to invite you to a one of a kind conference, designed for playwrights by playwrights. Please let us know what you'd like/need/want to make it work for you!
Without the Weasel by Dennis Jones 2007 Audience Award Winner
Congratulations Audience Award Winner Without the Weasel was written by Dennis Jones, directed by Sujoy De, and performed by Jim Sullivan (Bob) and Barbara Bourgeois (Betty)
2008 Submission Guidelines The Sin Cycle
For ten years Atlantis Playmakers has produced works from playwrights around the world. In 2008, we are expanding our new works program to include an entire cycle of plays, "The Sin Cycle." Every month begining in January, a new sin or two will be announced as the topic for that month's entries. Each topic will have a specific deadline, but all will follow the guidelines below.
Please FOLLOW the guidelines. We receive hundreds and hundreds of scripts each year and unfortunately cannot consider works for this PlayFEST if they don't meet the requirements.
Selections - scripts may be selected for readings throughout the winter and spring, and/or for full production in the SAS PlayFEST. A minimum of seven entries will be chosen for the final "Sin Cycle" in the SAS PlayFEST (summer 2008). Please read ALL the guidelines and make sure that your script is topical.
Please note, individual themes have specific deadlines. Email entries must be received by midnight on the deadline date. Snail mail entries must be postmarked on the deadline date.
"Sin Cycle" topics will be announced on February 1, March 1, April 1 and May 1. Entry deadlines are February 15, March 15, April 15 and May 15 respectively.
1) Actor limit - the SAS PlayFEST is an ensemble piece. As such, we will cast only three men and three women to play all roles in all entries. It is highly recommended that you limit your characters from two to five. 2) Time limit - Submissions must run no more than fifteen minutes long. 3) Set limit - Simple sets are recommended.
4) Submissions MUST be unproduced, staged readings are OK. We define a staged reading to include all of the following: actors on-book, volunteering their tme or receiving a small stipend, no set, no costumes, and the audience does not pay to view the reading. 5) Do not send a bio, resume, quotes from critics or other propaganda. We don't read them. We only read the scripts, and we don't even look at your name until after your script has been selected. Seriously. After we select your script, then we'll want to hear all about you. 6) Selected works MUST have their world premiere at the SAS PlayFEST. 7) All production rights for the plays revert to the playwright after the Festival, Atlantis Playmakers merely has the right to produce the premiere. 8) Due to the high level of entries, we are not able to offer individual critiques. Unused scripts are recycled.
FORMAT: Entries must be typed, and include a cover page with the playwright's name, address, phone, and e-mail. You do not need to use a specific script program. Old fashioned typing is fine.
BY MAIL: Please mail hard copy submissions to 4611 Monroe St Hollywood FL 33021
SUBMIT BY EMAIL: Word format ONLY to kdb@AtlantisPlaymakers.com. If we cannot open the file, we simply cannot accept the entry.
Please do not send entries based on other topics. They cannot be considered at this time.
Happy 10th Anniversary! We kicked off a year long celebration of our 10th Anniversary with the Short Attention Span PlayFEST - six world premieres all written around the theme of "Anniversary." 2007 selections premiered in July
A is for Apple by John Longenbaugh Way back, where it all began. Or where it could have. This world premiere from a series of plays titled Bible Stories for Agnostics takes a fresh view of the challenges faced by a guy named Adam, a girl named Eve, and a snake named FRank.
Land's End by Jody Handley Will she or won't she? Dating's tricky. Be careful when you take that next step, you just might fall off a cliff...
Wedding Sermon by James McLindon What to do about the "I do's" - not to worry, the minister has seen it all, heard it all, and is more than happy to tell you what he thinks of it all.
Without the Weasel by Dennis Jones Betty and Bob were blissfully married for ten years until one night... stay tuned!
Neverland by Matt Casarino Revisit childhood again and wish for the ultimate "do over."
The Heinrich Maneuver by Mark Harvey Levine
Nothing and no one is as they seem in this devilish dip into the covert world of spies and international intrigue. Beware of the begonias!
A is for Apple
A is for Apple
A is for Apple
Neverland
Neverland
Land's End
Land's End
Wedding Sermon
Wedding Sermon
The Heinrich Maneuver
The Heinrich Maneuver
The Heinrich Maneuver
SAS PlayFEST production history
2006
Audience Award Winner Pidgeon Wars - PAUL ROGALUS; Audience Award Winner - Wild Refuge - MICHELLE R. NICKENS Cosmic Judo - ALAN L. STEINBERG; Prognosis - MAX LANGERT; Bradley - BRIAN FEEHAN; The Kind that doesn't Budge - LISA SOLAND; Let Angels Prostrate Fall - LYNN STEVEN-JOHNSON; The Bricklayer - ARTHUR M. JOLLY; President's Day - SUSAN C. HUNTER ; Goodbye - EMILY KESLAR; Bare Chested - LYNNE S. BRANDON; Umbrellas - GREGORY PAUL KATA; Seuss on Marx - WILLIAM CAMPBELL; The Best Cherry-Filled, White-Chocolate Chip, Caramel-Swirl Brownie Ever Created - GERALDINE ATHAS-VAZQUEZ
2005
My Trip to the State Pen by Monica Bauer *Audience Award Winner; Because of My Beautiful Spirit by Max Langert *Audience Award Winner; All Apologies by George Brant; Filthy Rich by Mark Harvey Levine; Mother Goose and the Coma by Lindsay Price; People Can Be So Small Minded by Eugenia Jensen; Rock Paper Scissors by Colette Freedman; The Horse of Fine Restraint by Kristine McGovern; This is Me Today by Jerry McGee
2004
Amy Lovejoy by Michael Molineaux (Audience Award Winner); For Sale By Owner by Max Langert (Audience Award Winner); by Michael Molineaux (Audience Award Winner); Kiss and Fade by Frank Blocker; Psalm 90 by Alan L. Steinberg; Treat Me Nice by Mark Harvey Levine; White Picket Fence by Murray Scott Changar
2003
Sid and Walt by Paul Rogalus; The People by Vicki Caroline Cheatwood; Buy and Buy by Pamela Monk (Audience Award Winner); Cold Calls by Martha Soukup; One Sunday Morning by Dennis Jones; Samarkand by Paul Mohrbacher; Badgered by Eric Appleton of Chicago; Cold Water by Thomas Heine (Audience Award Winner); Cheating Death by Frank Higgins; Focus Group by Max Langert; Tinted Window by Henry W. Kimmel; Welcome Home Daddy by Eugenia Jensen; The Newspaper at the End of the Earth by Eric Ferguson
2002
I am a Black Girl by Francesca Sanders; Through a Glass Wetly by Rich Espey; Afraid Together by Martin E. Williams; Felicity’s Family Tree by Nancy Gall-Clayton; It’s my Duck by Craig J. Clark, Kevin Pease & Matt Johnson; Flattened Fauna by Jim Gustafson; The Entourage by Daniel S. Basso (winner 2002 Audience Award); All the Details by Cary Pepper; Barbie UND Ken by Sandra Dempsey Murder by Intermission by Doug Warwick; Code Red by Anne Hanley (winner 2002 Audience Award ) ; L’uomo e Corto by John Arnold
2001 The Number Seven by Michael Molineaux; Raising Wiley by Kathleen Rogers; The Marrying Kind and Facing Goliath by Margaret Benson; Ca Ching by Kimberly Davis Basso (Winner, Audience Award); The Dentist by Jim Sullivan; It's Not Funny... by T Dello Russo; Mona's Apparel by Tania Katan; Lost Girl by Don Nigro; The Noodle Doodle Box by Anita and Alex Page; The Ladies of the Mop by Aurand Harris (Winner, Audience Award) [note, in 2001 not all pieces were world premieres]
2000 Cookie Pusher by Diann Russell (winner 2000 Audience Award); Fellini by Yvonne Adrian; The Beautiful by Christopher Mattson; The Argument by Meg Benson; A Pair of Lunatics by WR Walkes; The Bride Wore Black by T Dello Russo [note, in 2000 not all pieces were world premieres]
1999 The Adoption by Eric Pfeffinger; Seven Menus by David Ives; Graceland by Ellen Byron [note, in 1999 not all pieces were world premieres]